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Symposium 2009

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Workshops

Online registration for this workshop is now full. To check availability and wait lists please call 604 669 3939.

Colour Mixing for Dyers
Carol Soderlund
$495 (Includes $100 Lab Fee) Five full days

November 2 - 6 (Mon - Fri) 9am - 5pm
Maiwa East – 1310 Odlum Drive Class Limit 16

Colour Mixing for Dyers is the most thorough and advanced workshop available on fibre-reactive dyes – a full five-days. Students work toward a high skill level that allows them to create the perfect hue each and every time.

Explore the unlimited number of hues possible by mixing only pure reds, yellows, and blues of Procion MX fibre-reactive dye. Teams of students will use different sets of primaries that, when mixed, will yield hundreds of colours in a wide range of values. Sharing the results, each student will build a sample book of more than 1,000 dye swatches and their recipes on 100% cotton fabric. This book will become an invaluable reference for future dyeing. Using the sample book as a guide, each student will apply the basic techniques of dyeing, including dyeing value gradations, over-dyeing, and low-water immersion, to do further exploration as time allows. With this hands-on approach, students will come to understand colour theory in a three-dimensional model that goes beyond the colour wheel.

This course is a wonderful foundation for wearable artists, quilters, needleworkers, weavers, and dyers of cellulose fibres and silk, or for anyone who wants to learn more about the interactions of colour. Carol joins us from the United States.


CAROL SODERLUND

“My work is primarily driven by a passion for colour interactions, the illusions they create, the luminosity they can bring to a surface. I love creating my own palette of fabric through painting, dyeing, and other surface design processes including discharge, shibori, stamping, screening, and foiling. My goal in design is to have a piece that intrigues the viewer at first glance and then continues to reveal surprises upon every inspection.”

Carol Soderlund’s works have been exhibited nationally and internationally since 1985 in such venues as Visions and AQS shows and have received numerous awards, including Best of Show at the 1989 International Quilt Festival and Best Use of Color at the Pennsylvania National Quilt Exhibition 2000. She has taught colour, fabric dyeing, colour-mixing techniques, and quilting throughout North America and is currently working on a book on these subjects.




© Maiwa Handprints Ltd. 2009.
6-1666 Johnston Street, Granville Island, Vancouver, BC Canada V6H 3S2
Tel 604 669 3939    -    Fax 604 669 0609

maiwa@maiwa.com

 

 

 


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Lectures

Charllotte Kwon
Michel Garcia
Stephen Huyler
Morimoto Kikuo
Nilda Callañaupa Alvarez
Sheila Paine
Ashoke Chatterjee
Linda Cortright
Fernando Alvarez
Bappaditya Biswas
Denise Lambert
Jawaja Leatherworkers
Elizabeth Barber
Mimi Robinson

Events

An Exhibition of Andean Weaving
An Exhibition of Cambodian Ikat
On the Banks of the Ichhamati
Slow Clothes Fashion Show
Wrap Party & Auction

Workshops

Andean Knitting
The Art of Embroidery
Between the Colours: Creative Resists
Bookbinding (Three Day)
Bookbinding (Two Day)
Cambodian Dyeing Traditions
Collage, Motif, and Material
Colour by Accident
Colour Institute
Colour Mixing for Dyers
The Creative Studio
Dyed to Clamp
The Expressive Stitch
Feltmaking
Felt Fabrics for Interiors
Indigo: The Natural Vat
Indigo, Shibori, and Beyond
Introduction to Dyes
Invented Fabric: The Textured Cloth
Knit Felt Embellish
Knitwork: Stitch Sampler Workbook
Knitwork: Learn to Knit
Knitwork: Colour Construction
Leatherwork
Marketing Craft:
Artisans, Culture and Trade

Millinery and Felt: Creative Hatmaking
Natural Dyes
Peruvian Backstrap Weaving
Phototransfer for Textiles
Qiviuk: Working with Rare Fibers
Rozome: Japanese Batik
Screen Printing
Secrets from the Dye Garden:
Extracts and Printing

Weaving in the Maiwa Tradition
The Woad Workshop
Working From the Inside Out
The Creative Process

The Working Traveller
Works on Canvas